Public Relations & Social Marketing Insight
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Public Relations & Social Marketing Insight
Social marketing, PR insight & thought leadership - from The PR Coach
Curated by Jeff Domansky
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Netflix launches new 'interactive shows' that let viewers dictate the story

Netflix launches new 'interactive shows' that let viewers dictate the story | Public Relations & Social Marketing Insight | Scoop.it

Netflix is putting a new spin on the old Gamebook genre.


Today the company announced that it’s launching an all-new interactive format that ultimately turns viewers into legitimate storytellers. In comparison to standard television, these so-called interactive shows put the viewers in charge, letting them dictate each choice and direction the story takes.


Two first two interactive shows that will be available on Netflix are Puss in Book: Trapped in an Epic Tale and Buddy Thunderstruck: The Maybe Pile. Puss in Book launches globally today, with Buddy Thunderstruck slated to make its debut a month from now on July 14.


The new experience will be available on most television setups and iOS devices....

Jeff Domansky's insight:

Netflix is putting a new spin on the old Gamebook genre with its all-new interactive shows that put viewers in charge of the story.

Vanessa Ong Li Wen's curator insight, June 26, 2017 3:16 AM
Netflix has announced its plans to launch an all-new interactive television format that ultimately puts viewers in charge, allowing them to become legitimate storytellers. While this may seem exciting and transformational to some, I feel that this is nothing to be hyped over. Interactive game book formats have long been introduced to the technological scene, some examples I can name at the top of my head will be the popular Episode and High School Story – game applications that one can get for free off the internet. It too, allows you to dictate the direction and choice of the characters, empowering you and increasing your sense of ownership over that story. The most prominent difference I feel exists between Netflix’s new idea and the ever present story applications that we are exposed to, is that the former creates a more immersive experience since real life actors are creating a power visual image of the story we have chosen. Children and teens of new age society have also been shown to be prone to interacting with the screen, finding joy in swiping their favourite characters and choosing a particular design of their character that they deem fit. However, Product Innovation Director Carla Fisher’s point about how these stories can “create complex narratives and bring them to life in a compelling way” is to me ambiguous and try hard at best. Based on past experiences, narratives can only be so complicated if we were to make it interactive. You see, there can only be a limited number of choices that a person can make in deciding the path of the story, constricting the direction that these stories can take and hence the overall quality and one’s enjoyment it. Netflix’s new idea holds promise as a form of entertainment for children, but other than that age group, I highly doubt that this idea will be a success. People these days have strong opinions on matters, short attention spans, and desire to watch stories that are engaging and provide strong, complicated plot points. By having this format whose main purpose is to create an interactive platform for viewers but sacrifices the quality of the plot and depth of the characters, I highly doubt that it will provide a compelling case for viewers of all ages to purchase and view it.
sarkzoe's comment, June 27, 2017 2:44 AM
Its remarkable :)
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How Netflix will someday know exactly what you want to watch as soon as you turn your TV on

How Netflix will someday know exactly what you want to watch as soon as you turn your TV on | Public Relations & Social Marketing Insight | Scoop.it

Netflix's data wizard says we're close to a future where algorithms know almost everything we want.

 

"A very realistic vision is we should get to the point where you just turn on your Netflix app and automatically a video starts to play that you’re very happy with," says Vice President of Innovation Carlos Gomez-Uribe. "If you’re not, you may have to flip once or twice and end up with something that you’re very, very happy with. Only in, say, 10-to-20 percent of sessions [will you] escape into ... browse mode."

 

Netflix has been creeping toward that goal for more than a decade.

 

There was the Netflix Prize, launched in October 2006, which aimed at predicting how much users would like videos. As the company shifted into streaming video, it turned to engagement data to predict what users really wanted to watch. Last year saw the introduction of a major new algorithm that chooses between other algorithms to find the best recommendation. And many more improvements big and small.

 

"It's just a matter of time," says Gomez-Uribe....

Jeff Domansky's insight:

OMG. They know what I binge watch!

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Netflix cuts out over 6 days of commercials from your life per year, compared to cable TV

Netflix cuts out over 6 days of commercials from your life per year, compared to cable TV | Public Relations & Social Marketing Insight | Scoop.it

Netflix's refusal to show ads is a core part of its identity.

The company has always maintained that killing ads provides a better experience for its subscribers, and shows no signs of changing that position. And that stance has had an effect.

"We know one of the benefits of an ecosystem like Netflix is its lack of advertising," Howard Shimmel, a chief research officer at Time Warner, told Bloomberg last year. "Consumers are being trained there are places they can go to avoid ads."...

Jeff Domansky's insight:

Netflix – you gotta love it for saving six days of commercials from your life every year.

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5 things I learned from The New Yorker's feature on Netflix - Fortune Tech

5 things I learned from The New Yorker's feature on Netflix - Fortune Tech | Public Relations & Social Marketing Insight | Scoop.it

The future of television is more interesting when you peek behind the screen.


...There was nothing particularly new in Ken Auletta's highly readable article about Netflix (NFLX) in the current issue of The New Yorker. (Here's a link to a snippet of the article; the rest is for paying subscribers.) The beauty of a Ken Auletta article, though, is that there doesn't need to be a ton of earth-shatteringly fresh information for it be worth your time to read. Auletta succinctly summarizes complicated topics, like how Netflix got to be what it is, and he name checks all the most important people on a given subject so that by the time he's done, you're in the know, too....

Jeff Domansky's insight:

Interesting business story and perspective on Netflix.

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How Netflix Lost Big to Amazon in India – Backchannel

How Netflix Lost Big to Amazon in India – Backchannel | Public Relations & Social Marketing Insight | Scoop.it
A year ago this month, Netflix launched in India with much fanfare. The company made a conscious decision to target the rich elite of India and then to broaden from there. As a Netflix spokesperson said at the launch, “Our early adopters are usually consumers who are tech-savvy, who have smartphones and own Apple accounts,” but that the company will later expand “through deeper local insights.”


On the surface, Netflix’s plan made perfect sense. The growth of smartphone, e-commerce and online streaming in the US has slowed, so global internet companies are on the hunt for their next big market. China’s protective policies and regulatory hurdles make it off-limits for most such behemoths. So India it is.


But a year after its launch, Netflix has failed to take over India. As it turned out, home-grown and international competitors alike fought back. The strategies they used revealed the short-sightedness of Netflix’s early-adopter approach....

Jeff Domansky's insight:

Amazon puts the beat to Netflix in the India market – great story.

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Can Netflix Survive in the New World It Created?

Can Netflix Survive in the New World It Created? | Public Relations & Social Marketing Insight | Scoop.it
It helped to develop all the new ways we watch TV — on-demand, bingeing, mobile. But the Silicon Valley company still has to keep reinventing itself.
Jeff Domansky's insight:

Excellent New York Times article and insight into the start-up of Netflix, its success, its impact on the industry and the of TV. Recommended reading. 10/10

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Netflix Knows Which Pictures You'll Click On--And Why

Netflix Knows Which Pictures You'll Click On--And Why | Public Relations & Social Marketing Insight | Scoop.it

A powerful picture is an incredibly efficient tool: The human brain can process an image in just a few milliseconds, so the right picture can spark someone's interest and convince a viewer it's worth exploring a new show in a single glance. Which is why, in 2014, Netflix began gathering consumer research specifically about the images on its service.

The research indicated that looking at images not only prompted users to watch content, but accounted for a whopping 82% of their time spent browsing (as opposed to, say, reading movie titles or descriptions). In other words, the images mattered almost four times more than the text describing the storyline. Members also spent only 1.8 seconds considering each title. "We know that if you don't capture a member's attention within 90 seconds, he or she will likely lose interest and move on to another activity," says Nick Nelson, Netflix's global manager for creative services. "Images become the most efficient and compelling way to help them discover the perfect title as quickly as possible."

Recently, Netflix—which is famously tight-lipped about its own data—has been doing experiments to better understand which images capture our attention and why, and shared some of its findings with Fast Company as well as in a post on its blog. The effort was both science and art: Data scientists analyzed user statistics, while creative teams considered the colors, emotions, and words that appear on pictures. The company tests several images for a single show or movie to try to discover what makes members click. Its first lesson was that images had to be high quality in order to draw viewers in. "We saw one clear thing," Nelson says. "Using better images to represent content significantly increased overall streaming hours and engagement."...

Jeff Domansky's insight:

Fast Company shares some valuable insight on images from Netflix research, including the need for high quality images. Recommended reading.  9/10

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