Public Relations & Social Marketing Insight
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Public Relations & Social Marketing Insight
Social marketing, PR insight & thought leadership - from The PR Coach
Curated by Jeff Domansky
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When journalists step over the line: the Julia Ioffe incident - without bullshit

When journalists step over the line: the Julia Ioffe incident - without bullshit | Public Relations & Social Marketing Insight | Scoop.it

The Trump era is a rough time for journalists. No matter how much they’re provoked, if they show too much bias and disrespect, they could lose their jobs, even for a single tweet. That’s what happened to Julia Ioffe at Politico, and it’s a revealing case study.


I’ll get to what Ioffe did in a moment. But first, let’s have a look at the email Politico’s editors Carrie Budoff Brown and John Harris sent to their staff when they fired her:


"You will remember the note from John and me a few days ago in which we emphasized that POLITICO journalists are representing the publication at all times and on all platforms, and must present themselves accordingly. We also emphasized that the power of POLITICO comes from our independent reporting and analysis. Gratuitous opinion has no place, anywhere, at any time – not on your Facebook feed, your Twitter feed or any place else. It has absolutely zero value for our readers and should have zero place in our work. Julia Ioffe’s tweet this afternoon about President-elect Trump – currently and understandably racing across social media – is a clear example of the opposite of what we were talking about."


This is as clear as it gets. If you’re trying to make a point, this is how you make it: no equivocation, no jargon, and direct, first-person statements....

Jeff Domansky's insight:

No excuse for this "journalist's" faux pas. None.

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Against beautiful journalism | Felix Salmon

Against beautiful journalism | Felix Salmon | Public Relations & Social Marketing Insight | Scoop.it

The stripped-down, minimal approach to page design has its place -- but most of that time, that place isn't for news stories.


... For a prime recent example of the disconnect, check out NYT public editor Margaret Sullivan’s recent post on trend stories in general, and that monocle trend story in particular:

Media watchers received the story like a Christmas present, tearing off the wrapping to get at the goods. The fun began on Twitter, after the story went online but well before its print publication. Dustin Gillard tweeted: “NYTimes does a trend piece on monocles. It is about as good/bad as it sounds.” (No one ever said the Internet was good at nuance; the wags ignored that the short piece was tucked inside the Styles section in its “Noted” column, treating it instead as if it were front-page screaming-headline news.)


But here’s the thing: on the internet (which, Sullivan admits, was for a long time the only place where you could read the story), the story wasn’t “tucked” anywhere. Instead, it looks like this...

Jeff Domansky's insight:

Even the grey lady, The New York Times, is vulnerable to poor journalistic judgement. What a goofy story!

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How newsroom pressure is letting fake stories on to the web

How newsroom pressure is letting fake stories on to the web | Public Relations & Social Marketing Insight | Scoop.it

It started with a post on social media. Or, to be more exact, a series of posts about a visit to McDonald’s to buy a milkshake. Within hours, Josh Raby’s gripping account on Twitter was international news, covered by respected outlets on both sides of the Atlantic.

 

“This guy’s story about trying to buy a McDonald’s milkshake turned into a bit of a mission and the internet can’t get enough of it,” read the headline on Indy100, the Independent’s sister title. The New York Daily News said he’d been “tortured”. Except, as McDonald’s pointed out – and Raby himself later admitted – the story was embellished to entertain his Twitter followers, although he says he based it on real events.

 

Raby’s was the latest thinly sourced story that, on closer inspection, turned out not to be as billed. The phenomenon is largely a product of the increasing pressure in newsrooms that have had their resources slashed, then been recalibrated to care more about traffic figures.

 

And, beyond professional journalists, there is also a “whole cottage industry of people who put out fake news”, says Brooke Binkowski, an editor at debunking website Snopes. “They profit from it quite a lot in advertising when people start sharing the stories. They are often protected because they call themselves ‘satire’ or say in tiny fine print that they are for entertainment purposes only.”...

Jeff Domansky's insight:

The push for traffic means that clicks rule – even if the facts don’t  always check out.

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