Public Relations & Social Marketing Insight
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Public Relations & Social Marketing Insight
Social marketing, PR insight & thought leadership - from The PR Coach
Curated by Jeff Domansky
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How Maggie Haberman and David Fahrenthold accidentally became Trump experts

How Maggie Haberman and David Fahrenthold accidentally became Trump experts | Public Relations & Social Marketing Insight | Scoop.it

Maggie Haberman started working at the New York Times in 2015 — with just one little problem. She didn’t know what she was supposed to be doing there.“

 

I was looking for a lane, so I picked up Trump because nobody seemed very interested in Trump,” Haberman said on the latest episode of Recode Decode, hosted by Kara Swisher. “I knew him and I knew his people.”

 

Just two years later, she’s one of the NYT’s best-known reporters thanks to her coverage of Trump’s campaign and, now, his presidency. But for most of her career, Haberman had dreamed of one day being the Times’ chief New York correspondent, covering the city’s “broken” political system.

 

Speaking with Swisher at the 2017 Texas Tribune Festival, along with Washington Post reporter David Fahrenthold, Haberman said she learned “the number one rule” about Donald Trump while working at the New York Post, which he would call frequently as a “source” of gossip about himself.

 

“In his brain, two things are true,” she said. “No one speaks for him except him, even if he actually has a spokesman, and he believes that facts can be changed so that they can be something other than what you thought they were a day ago.”

Jeff Domansky's insight:

On the latest Recode Decode, the two journalists explain how their careers set them up to cover the Trump Era.

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Trump Is Making Journalism Great Again

Trump Is Making Journalism Great Again | Public Relations & Social Marketing Insight | Scoop.it

Donald Trump and his forthcoming presidency may be the greatest gift to Washington journalism since the invention of the expense account. His unorthodox approach to politics and governance has vaporized the standard, useful, yet boring script for reporting on a new administration’s doings. At his news conference last week, Trump began the process of washing the press completely out of his fake hair as he castigated CNN and BuzzFeed for reporting on the oppo-research dossier compiled on him. “Fake news,” said the man who has appeared on InfoWars and commended the outlet’s efforts.


Trump’s surrogate Newt Gingrich took to Sean Hannity’s program on Fox to assist in the maiming of the media. Trump and his team “need to go out there and understand they have it in their power to set the terms of this dialogue,” Gingrich said on the Jan. 11 episode. “They can close down the elite press.” Next up came Reince Priebus’announcement that Trump might evict the presidential press corps from the White House for lesser lodging in the adjacent Old Executive Office Building, and Sean Spicer’s admonition that reporters “adhere to a high level of decorum at press briefings and press conferences,” according to a readout of his two-hour summit with the head of the White House Correspondents’ Association. (Or else what, one wonders?)


Now, before the Committee to Protect Journalists throws up the batsign and the rest of us bemoan Trump’s actions as anti-press—which they are—let’s thank the incoming president for simplifying our mission. If Trump’s idea of a news conference is to spank the press, if his lieutenants believe the press needs shutting down, if his chief of staff wants to speculate about moving the White House press scrum off the premises, perhaps reporters ought to take the hint and prepare to cover his administration on their own terms. Instead of relying exclusively on the traditional skills of political reporting, the carriers of press cards ought to start thinking of covering Trump’s Washington like a war zone, where conflict follows conflict, where the fog prevents the collection of reliable information directly from the combatants, where the assignment is a matter of life or death....

Jeff Domansky's insight:

In his own way, Trump has set journalism free.

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Online, Everything Is Alternative Media

Online, Everything Is Alternative Media | Public Relations & Social Marketing Insight | Scoop.it

Breitbart, the website at the center of the self-described alternative online media, is planning to expand in the United States and abroad. The site, whose former chairman became the chief executive of Donald J. Trump’s campaign in August, has been emboldened by the victory of its candidate.

Breitbart was always bullish on Mr. Trump’s chances, but the site seems far more certain of something else, as illustrated by a less visible story it published on election night, declaring a different sort of victory: “Breitbart Beats CNN, HuffPo for Total Facebook Engagements for Election Content.”

It was a type of story the site publishes regularly. In August: “Breitbart Jumps to #11 on Facebook for Overall Engagement.” In June: “Breitbart Ranked #1 in the World for Political Social Media; Beats HuffPo by 2 Million.” Late last year: “Breitbart News #6 for Most Comments Among English Facebook Publishers Globally.”

These stories were self-promotional. But the rankings, released on a monthly basis by a company called NewsWhip, which measures activity on social networks, represented a brutal leveling. They were unelaborated lists that ranked outlets in terms that were difficult to dispute — total shares, likes and comments....

Jeff Domansky's insight:

Another big question ahead in the new presidency is what role online media will play both inbound and outbound from the White House..

El Monóculo's curator insight, November 12, 2016 11:38 AM

Another big question ahead in the new presidency is what role online media will play both inbound and outbound from the White House..

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Half a world from home, reporters try to make sense of Trump

Half a world from home, reporters try to make sense of Trump | Public Relations & Social Marketing Insight | Scoop.it

If their labor was similar to that of many other reporters in town covering the convention, their nationality wasn't. Reporter Jiwon Park and cameraman Bohyun Bang are with Arirang TV based in Seoul, South Korea.


Why were they here?


"It's the president of the United States," Park explained. "We have a lot of interest in the United States. It is the number-one country in the world."


As NBC's Chuck Todd was hustling to a nearby outdoors studio not too far away and eliciting a news celebrity's typical response from passersby ("hey, that's the guy from CBS!" a Mississippi delegate said to his companion), the two journalists from Arirang were virtually unnoticed and blended into the bustle of conventioneers, media and massive security.


The duo has been in the country for 10 days, starting in Washington, D.C. and finishing up in Cleveland.I asked if they had come to any clear understanding of Trump's appeal. They said a little bit but not completely. Perhaps join the crowd, I said....

Jeff Domansky's insight:

Explaining Donald Trump? What's a poor foreign reporter to do?

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Cover Story: John W. Tomac’s “Liberty’s Flameout” | The New Yorker

Cover Story: John W. Tomac’s “Liberty’s Flameout” | The New Yorker | Public Relations & Social Marketing Insight | Scoop.it

Under more ordinary circumstances, the cover of the issue for February 13 and 20, 2017—our Anniversary Issue, marking ninety-two years—would feature some version of Rea Irvin’s classic image of the monocled dandy Eustace Tilley. This year, as a response to the opening weeks of the Trump Administration, particularly the executive order on immigration, we feature John W. Tomac’s dark, unwelcoming image, “Liberty’s Flameout.” “It used to be that the Statue of Liberty, and her shining torch, was the vision that welcomed new immigrants. And, at the same time, it was the symbol of American values,” Tomac says. “Now it seems that we are turning off the light.”


Here is a slide show of past Anniversary Issue covers....

Jeff Domansky's insight:

Francoise Mouly speaks to the artist John W. Tomac about “Liberty’s Flameout,” his Statue of Liberty-inspired cover for the next issue of The New Yorker.

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A hellscape of lies and distorted reality awaits journalists covering President Trump | Washington Post

A hellscape of lies and distorted reality awaits journalists covering President Trump | Washington Post | Public Relations & Social Marketing Insight | Scoop.it

What can this small chapter tell us about what’s to come?


That Trump will be what columnist Frida Ghitis of the Miami Herald calls “the gaslighter in chief” — that he will pull out all the stops to make people think that they should believe him, not their own eyes. (“Gaslighting” is a reference to the 1940s movie in which a manipulative husband psychologically abuses his wife by denying the reality that the gaslights in their home are growing dimmer and dimmer.)


“The techniques,” Ghitis wrote, “include saying and doing things and then denying it, blaming others for misunderstanding, disparaging their concerns as oversensitivity, claiming outrageous statements were jokes or misunderstandings, and other forms of twilighting the truth.”...

Jeff Domansky's insight:

Margaret William writes that the past tells us plenty about what to expect from the ‘gaslighter in chief.’ You can add twilighting to the list of terms you need to know in the fake news future.

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The Inside Story of the Politico Break-Up

The Inside Story of the Politico Break-Up | Public Relations & Social Marketing Insight | Scoop.it

It was early evening in Politico’s newsroom, four days before the Iowa caucuses.


Reporters were working sources and checking TV screens as a presidential debate was about to get under way. But tonight, January 28, Politico’s biggest story was about itself.


Outside news organizations were reporting a massive, unexpected overhaul of the company’s leadership. Now executives were scrambling to respond. In a glass-enclosed office at the far end of the newsroom, CEO Jim VandeHei was hunkered down alongside chief operating officer Kim Kingsley and chief revenue officer Roy Schwartz, hurriedly crafting a statement announcing that they—along with marquee reporter Mike Allen—were leaving the company.


After months of behind-the-scenes drama, Washington’s most successful media partnership in a generation was busting apart. And all the players had to get their stories straight....

Jeff Domansky's insight:

The team that built DC's most unconventional modern media juggernaut is divorcing, thanks largely to the most conventional reasons: ego, power, and money.

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